THE ENTERTAINMENT WORLD AND NEWS

Some songs knock on your door politely. “Lalakula” just walks in, sits on your sofa and asks why the fridge is empty. Rising Lagos singer Txmmyily has rounded up Benin City firecracker Famous Pluto and underground favourite Zaylevelten for a high-energy street-pop link-up that dropped as October 2026 opened. At about two and a half minutes, it is short, loud and very sure of itself. Chale, by the time you ask “what is Lalakula?”, the song don finish and you are pressing replay. Who Is Txmmyily? Txmmyily is one of the young voices who grew up online and built a career one upload at a time. He arrived with “Rack$” in 2022, flirted with indie and bedroom-pop colours, then leaned firmly into Afropop. “Body Work” with Mavo crossed a million streams, “Angelina” kept the fire going, and “Jaiye,” produced by Dan Akins, turned into a proper enjoyment anthem in September 2025. This year he levelled up again with the ...

Accra, gather round. Praaka has called in Ga Mashie’s own Alorman , and the two of them have one simple message for every fine girl who walks into the room like she owns the lease: “Hey Mama.” The single landed on 22 September 2026 as an independent release, and at about two minutes forty-seven seconds it is short, sweet and dangerous for anybody who claims they “don’t really dance.” Charley, your waist go betray you. Who Is Praaka? Praaka is a rising Accra Afro-urban artist built on raw energy, bold storytelling and a street-rooted sound. His music keeps returning to hustle, survival and self-belief, the same themes you hear in every trotro conversation between Kaneshie and Circle. And the man has been busy in 2026, oh. Before this one he dropped “Cash Drop,” a dancehall record about grinding until the work finally pays, then kept the conveyor belt moving with cuts like “True Believer,” “Lonely Road,” ...

Limoblaze and Johnny Drille don link up again, and this time the message is simple enough to fit inside a WhatsApp status: you are “Already Loved.” The record landed at midnight on 24 September 2026 as the lead moment from Limoblaze’s new EP Father’s Love , released the next day through Reach Records . Runtime is about three minutes forty-seven. Long enough to calm your spirit, short enough to replay before your bus conductor start shouting “last stop.” Who Is Behind the Song? Limoblaze is the Nigerian-born Afro-gospel and Christian hip-hop voice who carried West African bounce into rooms that used to only know choir robes and American worship radio. If you know “Jireh (My Provider)” with Lecrae and Happi, you already understand the assignment: faith talk, but the drums still get swagger. Johnny Drille is the Nigerian singer-songwriter whose soft, folk-coloured tone has been soundtracking weddings, heartbreaks and late-night soul...

Some songs ask for your hand; this one asks for the lift button. On 7 May 2021 , Nathino teamed up with TomTom Againn for “Elevate” — one word, no apology, pure upward energy. Five years later the record is still sitting among the top tracks on his Spotify artist page, which tells you say the people never stepped out of the lift. So we dey press the rewind button and ride am again. The Man Behind the Board If the name is new to you: Nathino is the Ghanaian urban-gospel and Afrosounds act who also works as a mixing and mastering engineer, and his YouTube channel describes him as the front-liner for Rap For God Music. On “Elevate” he did not just show up to sing and collect applause. The cover says it plainly at the bottom — Produced by Nathino — and the official YouTube audio credits him as producer too. Artist, beatmaker, engineer: the guy dey run the kitchen, cook the jollof and still wash the pot. Two Voices, One Direction TomTom ...

Catalog rewind, and this one get timing. On 10 February 2023 — four clear days before Valentine’s Day, when Accra guys dey calculate whether chocolate or MoMo go save them — Nathino dropped “Love Me Now” . Short title, direct request, zero “let’s see where this goes” energy. More than three years later the single still dey sit on official shelves, so we dey run am back for everybody who scrolled past the first time. The Man Doing the Asking New to the name? Nathino is the Ghanaian urban-gospel and Afrosounds act who doubles as a mixing and mastering engineer — the kind of artist wey fit sing the hook and still tell the studio guy say the low end dey muddy. He is a front-liner for RFGM, Rap For God Music, and his catalog mixes praise, street wisdom and dance-floor bounce, from the 2021 Gratitude EP to singles like “Tamale” and “Washawasay”. “Love Me Now” arrived under his own name, with RFG Music Group printed boldly across the top of the cover. The Vibe Check Apple Music a...

Nathino ’s “Washawasay” is Accra catalog rewind with a smile — late 2021 Ghana laughing, dancing, and arguing over one viral worship slip (“what shall I say” turning “washawasay”), and the streets cooking remix upon remix. Inside that heat, Nathino dropped his own Afro-Beat plate: roughly two minutes six , still sitting on official shelves years later. No be “out now” cosplay — na honest rewind for everybody who missed the first serving or just need the joke’s music cousin again. First name on the pot: Nathino — RFGM / Rap For God Music urban-gospel man who sing, produce, mix, and master like the studio be kitchen. Cover energy show RFG MUSIC identity and a clean line crediting producer Beatz Vampire . Apple lists the track under Nathino alone; some platforms stylize extra names, but the core stamp remain his short worship-adjacent street single riding the cultural wave MyJoyOnline and timelines documented that November. Why run it back now? Because some songs are time capsules. P...

Rewind alert, chale. Some songs drop, trend small, then vanish like the last ball of banku when uncle enters the kitchen. Nathino’s “Fadi Banku” (feat. Majesty & Kwadwo Sheldon) no be that type. It landed on 7 January 2022 , and today we dey run am back — not as “new music”, but as a catalog plate wey still dey steam. 🍲 The Order Slip Track: Fadi Banku (feat. Majesty & Kwadwo Sheldon) — Single Released: 7 January 2022 Runtime: about 2:45 — shorter than the queue at a popular chop bar Genre tag (Apple): Afrobeats Production: Nathino, per the Black Majesty Entertainment upload ℗: ANNEK MULTIMEDIA STUDIOS, distributed via Ditto Music Who Dey Inside The Pot? First stirrer: Nathino , the RFGM / Rap For God Music urban-gospel man who sings, produces, and still dey mix and master like he get four hands. Second: Majesty — and the BME camp’s own YouTube upload bills him as Black Majesty , so no guessing game there. Third: Kwadwo Sheldon , credited on...

DJames and Qing Madi link again on “Can’t Wait” — and by the first chorus you go don check whether your crush reply three times. Released 2 October 2026 via LVRN Records (Love Renaissance) / Kick It , the roughly three minutes thirty-two Afro-dance glow pair DJames’ shimmering club-ready production with Qing Madi’s silky vocal. Broken hourglass on the cover, beat saying move smart before time finish spill. Impatience never sound this stylish. Qing Madi’s gift is making yearning sound expensive, and DJames frame that yearning with dancefloor shimmer instead of ballad fog. Can’t Wait live in the Afro-dance middle where romance and club share custody of the night. LVRN’s Love Renaissance lane already signal emotional pop with taste; this collab fit the house without losing West African bounce DNA. Accra soft-life and crush-playlist curators will claim it fast — WhatsApp-checking music with real drums. Sequel chemistry matter: when artists relink, fans listen for growth; here the p...

Nathino — “Helping Hand” is the song for that friend wey dey “seen” your message but never send MoMo. Ei. The RFGM engineer-artist reach out from the wall like the hands on the cover and say: when life push you, somebody go pull you — and Heaven no dey ignore calls. 🤝 Press Play, Lift Somebody Apple Music — Helping Hand Audiomack — Helping Hand Boomplay — Helping Hand TIDAL — Helping Hand Amazon Music — Helping Hand Deezer — Helping Hand song.link hub — Helping Hand The Lowdown Dropped 22 July 2023 as Helping Hand - Single — about 2:48 of Afrobeats with urban-gospel heart. The cover says it plain: Produced by Nathino . So the same man sing am, cook the beat, and still get mixing-and-mastering hands like say e dey run one-man ministry. Efficiency wey Ghana ministers for come learn. Short song, long lesson: give hand, catch hand, no forget who catch you. Then pass am to your group chat — the one wey dey only wake up for gossip. Follow The Ent News fo...

Joeboy still dey win by not shouting. On “YBTM” , NG Afrobeats smooth-flex slide into the speakers like Accra evening traffic after rain — no horn wahala, just melody taking its lane. Released 25 June 2026 via Young Legend LTD / Hi-Way 89 Entertainment , the roughly two minutes fifty-six single keep the Young Legend heir in soft-romance mode: clean pocket, sticky chorus, zero forced energy. When Joeboy say YBTM, the playlist no argue — e just lean back and leave the noise for people wey dey force vibes. Joeboy’s brand stay consistent across years of Afrobeats weather: romance without embarrassment, bounce without aggression, hooks that survive the third Uber ride. “YBTM” fit that catalog honesty — short, polished, vocal-first. The production no try to invent a new genre for press; e protect the croon and let the drum smile underneath. That restraint is why his singles still feel like personal letters even when they chart like public events. For Accra listeners, Jo...

taves call your government name with love and a smile on “Uche Jumbo” . Lagos soft-street Afrobeats, melody wey no shout, pocket wey glide into the chest. Released 26 June 2026 via Mother Africa Reigns Supreme (MARS) , the roughly two minutes twenty-eight single keep things warm: short, sticky, replay-ready. When Uche Jumbo land, Accra no argue — playlist just make space like somebody fine just entered the hangout. What work is intimacy at dance tempo. taves no turn the record into a ballad funeral; e keep bounce under the affection so the song survive both headphones and speakers. Soft-street as a lane mean you can hear romance and hustle grammar in the same breath — Lagos specialty, Accra adoption easy. Runtime discipline help: no bridge congress, just feeling and exit while the smile still dey. MARS shelving put taves in a catalog conversation about African soft-power pop, and Uche Jumbo is a clean business card for that conversation — memorable title, approachable h...

Wizkid hand Brent Faiyaz a soft piece of Starboy cool and Accra speakers go hush-hush like somebody just confessed on a Sunday evening. “Piece of My Heart” , released 18 October 2024 via RCA Records / Starboy Entertainment , runs about four minutes nineteen — Lagos glide meeting US R&B velvet, patient pocket, zero noise for noise sake. When Big Wiz offer a piece of his heart, playlist no debate; e lean in and leave the rush for the highway. The collab casting is luxury without desperation. Wizkid stay in his unhurried Afrobeats-soul lane; Brent Faiyaz answer with that smoky American R&B tone that make the record feel borderless. Long runtime for a single era, but the patience is the point — the song bloom instead of sprint. Arrangement respect space: drums polite, melody first, confession as lifestyle. Even months and seasons on, the cut remain a soft-soul staple on GH playlists because it no age like a dance challenge. Starboy records often become furniture in A...

Omah Lay no shout his feelings — he pour them into the current and let the groove carry you. “WATER SPIRIT” , cut from CLARITY OF MIND (released 3 April 2026 via KeyQaad / Warner Records ), runs about two minutes forty-nine of Port Harcourt deep-feel Afropop: soft drums, heavy emotion, melody wey dey pull like riverside at midnight. When Omah whisper pain into pocket, the whole bedroom can turn water without one forced high note. Clarity of Mind as a project frame reward listeners who like mood over noise, and Water Spirit is pure that thesis. Hypnotic lead, restrained percussion, a hook that feel like floating more than climbing. Omah Lay’s gift since the early breakout remain the same: vulnerability that still sound stylish, never like homework. Accra audiences long adopt that sound for night headphones and quiet drives — the records wey make you pause the group chat. Why this cut matter in late rotation: it is not a random feature flex or dance challenge bait; e be ...

Tyla no beg for permission before she turn the speakers into a soft runway. “CHANEL” , released 24 October 2025 via FAX Records / Epic , is roughly three minutes eight of SA pop-global flex — breathy vocal, sticky pocket, Grammy-winning sparkle in designer mode. When Tyla say CHANEL, Accra playlist no argue; e just smile, raise the volume, and leave the seriousness for Monday. Johannesburg heat, international finish, zero dull minute. Tyla’s breakthrough taught the industry that amapiano-adjacent pop can wear haute couture without losing dance DNA. CHANEL lean into that brand fluency: title as lifestyle signal, production as glossy bounce, vocal as flirtation with control. It no try to be a deep album cut disguised as a single; e accept the assignment of glamour and execute. That honesty is why it travel — listeners know what fantasy they buying. Epic / FAX infrastructure put the record on global shelves, but Accra’s adoption come from waist and melody, not press awar...

Focalistic link Uncle Waffles and ShaunMusiq on “2 Spin Jikeleza” — SA Amapiano wey no ask Accra or Jozi for permission before the log drum lock. Dropped 7 August 2026 via 18 Area Holdings , the roughly six minutes five club-length glide give DJ enough runway to mix in, tease the vocal pocket, then spin the crowd twice before the outro. Focalistic bring the street swagger, Uncle Waffles bring that piano heat that turn dancefloors into testimony, and ShaunMusiq hold the pocket like a man wey know the kick drum is law. Amapiano at this length is a statement: not a radio trim fighting for thirty-second clips alone, but a floor tool that respect the culture of long blends and second-spin payoffs. “Jikeleza” energy — go around, circle, return — sit in the title and the arrangement. You feel the tease, the drop, the second lift. That is why DJs smile when a cut clear six minutes without padding; every bar earn the next. Cross-border context: Accra’s Amapiano appetite already mature,...

Abefe no dey hide the wahala — he wrap am in a hook and dare the playlist to stay quiet. On “A LOT A LOT” , the Lagos Afrobeats single that left short-form comedy and lifestyle clips and walked straight onto the shelves, the title is the whole thesis: pressure plenty, but the pocket still go bounce. Dropped 11 September 2026 via Abefe Music / LVD GNG , the cut clocks about three minutes two — lean enough for the Ajah commute, sticky enough to survive a group-chat share war. Producers Nahz Rashid and Ricch Flacko keep the arrangement sparse so Abefe’s vocal can carry the joke and the feeling at once. What make the record land is how it treat “a lot” like both complaint and flex. You hear the everyday Lagos load — hustle, noise, somebody always asking for one more favour — but the groove refuse to sulk. It smile through the pile-up. That is why the song found Nigeria chart traffic into late September and early October: viral energy that survived the jump from phone speaker to prop...

Sarkodie no need introduction in Accra — the Rap God who turned Ghanaian bars into continent-wide currency — and DopeNation (twins B2 and Twist) still own that Ghanapiano pocket that make waistline answer before the chorus even land. Together on “E No Easy” , they cook a hustle Afrobeats single that talk struggle without sounding tired: the title is pure Pidgin truth, but the beat refuse to sit down and cry. It drop 7 August 2026 under Sarkcess Entertainment , clocking about three minutes ten , short enough for the commute yet sticky enough to loop from Tema to Circle. What make the record land is the chemistry. Sarkodie bring the street-smart punchlines and that clipped delivery Ghana already trust when life get expensive. DopeNation wrap him in a bounce that feel local and current — light keys, confident drums, a pocket that sit between classic Accra Afrobeats and the Ghanapiano wave they help popularize. You hear resilience in the hook and swagger in the groove: e no easy, but...

Omar Sterling sit the Accra rap table like the chips no shake. On “Casino Freestyle” , from the Victory Through Harmony project (Apple dates the album 30 September 2026 via R2Bees Entertainment ), the roughly four minutes sixteen flex keep Sterling’s pocket sharp — street wisdom, calm swagger, bars wey make the hangout go quiet for the punchline. Green-felt beat energy: patient, stacked, no begging for luck. When the verse land clean, playlist no ask for chance — e ask for volume and silence between lines. Omar Sterling’s lane inside the R2Bees universe always mix elder-statesman calm with street receipt energy. Freestyle in the title no mean careless; e mean the breath feel live, the pocket feel unlocked, the writing still disciplined. Four minutes sixteen is generous for GH rap attention spans trained on short hooks — he use the space to build, not to stall. Harmony in the album title show up as control: aggression without shouting, flex without foam. For Accra l...

Stonebwoy no need shout to cut clean. With DJ Mac and CrashDummy on “Silent Samurai” , Accra dancehall blade-work stay quiet and deadly — sharp percussion, BHIM-energy pocket, toast wey feel like a sheathed sword. Dropped 23 January 2026 via Burniton Music Group , the roughly two minutes fourteen African Dancehall sprint is short enough for the jump-off, sticky enough for the Friday cruise from Circle to Tema. When the beat ask for quiet power, playlist no beg — e just load and reload. Stonebwoy’s gift is making dancehall feel Ghanaian without losing the genre’s spine: weight in the riddim, authority in the voice, pride without foam. Silent Samurai lean into that authority through restraint — title already tell you the warrior no dey noisy. DJ Mac and CrashDummy frame the riddim so every snare feel intentional. Two minutes fourteen is a street weapon: enter, stamp, exit before the soft-life playlist try to negotiate. Burniton’s BHIM lane remain central to Accraâ...

Rayvanny still dey win with soft hands. On “Touch” , East Africa Afrobeats glide into the chest without shouting — clean melody, Bongo-honey pocket, a chorus wey ask for gentleness and somehow still move the waist. Dropped 14 August 2026 via Ziiki Media , the cut runs about three minutes forty-five : enough runway for the feeling to settle, short enough to loop from Accra evening into Dar midnight. When the vibe ask for one gentle hand and the beat answer soft, playlist no beg. Rayvanny’s continental brand is romance-forward Bongo energy that travel past Kiswahili borders because the melody do half the translation. Touch keep that promise: tender without weak, danceable without aggressive. Production leave air around the vocal so the title make sense — you feel contact, not crowd crush. That is late-night playlist medicine for weeks wey street flex already overfeed the ears. Ziiki Media’s East Africa pipeline keep feeding GH speakers records wey sit beside Afrobeats wi...